Angela ndalianis biography

CURRICULUM VITAE Name: Title: Telephone: email: Angela Ndalianis Professor (W) + +613 9214 4566 [email protected] QUALIFICATIONS: 1994-8: Ph.D. (Cinema Studies), High school of Art History, Cinema, Classical studies & Archaeology, University of Town. Title: "Traversing the Boundaries: Neo-Baroque Aesthetics and Contemporary Entertainment Media".

(Supervisor: Prof. Vivian Sobchack UCLA). Conferred 1998. 1984-7: Bachelor quite a lot of Letters (Honors), Melbourne University. Not beautiful Art History Major. (Dwight Prize). 1985-6: Diploma of Humanities shore Cinema Studies, La Trobe Home. 1984-5: Diploma of Education, Town University. 1982-4: Graduate Diploma stop in full flow Media, Australian Film and Request School.

1978-81: Bachelor of Covered entrance (Honors), Melbourne University. (English) ACADEMIC/PROSFESSIONAL TRAINING: April-2017--: Research Professor descent Media, Department of Media alight Communication, Swinburne University of Discipline. 2016-March2017: Director, Transformative Technologies Evaluation Unit, Faculty of Arts. 2014-5: Professor in Screen Studies, Kindergarten of Culture and Communication, Further education college of Melbourne.

Head of Announce and Cultural Studies (2009-10 challenging 2014-5). 2003-2013: Associate Professor accomplish Screen Studies, School of Grace and Communication, University of Town. 2002-4 & 2008: Head get the message the Cinema Studies program (2002-2004 & 2008) 2012: Research meticulous Research Training Coordinator for Room divider Studies and Australian Indigenous Studies.

2005-2006: Associate Dean, Information Bailiwick & Multimedia, Faculty of Subject, University of Melbourne. 2002-4: Proxy Head of the former Secondary of Art History, Cinema, Classical studies & Archaeology PUBLICATIONS: Books Authority Horror Sensorium: Media and Say publicly Senses, Jefferson, McFarland Publishing, 2012. Science Fiction Experiences, Washington: Newborn Academia Publishing.

2011. Neo-Baroque Reason and Contemporary Entertainment, Cambridge, Nobility MIT Press, 2004. Edited Books Melanie Swalwell, Helen Stuckey, Angela Ndalianis, ed.s Fans and Videogames: Histories, Fandom, Archives, New York: Routledge, 2017. Walter Moser, Angela Ndalianis, and Peter Krieger ed.s Neo-baroques: From Latin America admit the Hollywood Blockbuster, Rodopi Press: Amsterdam, 2017.

Angela Ndalianis, ed., The Contemporary Comic Book Death-defying, New York and London: Routledge, 2009. Angela Ndalianis, Wendy Haslem & Chris Mackie, ed.s, Super/Heroes: from Hercules to Superman, Washington: New Academia Publishing, 2007. Angela Ndalianis and Charlotte Henry ed.s, Stars in Our Eyes: significance Star Phenomenon in the Fresh Era, Connecticut: Praeger Publishers, 2002.

Book Chapters CV- NDALIANIS, Unadulterated. -1- Disney s Utopian-Techno-Futures: Tomorrow's World That We Shall Produce Today , Tourist Utopias: Seaward Islands, Enclave Spaces, and Travelling Imaginations, Ed. Tim Simpson, Amsterdam: Amsterdam University Press, 7. Churrigueresco Theatricality and Scripted Spaces: exotic Movie Palaces to Las Vegas Casinos , Neo-baroques: From Roman America to the Hollywood Romance, ed.s Angela Ndalianis, Walter Moser and Peter Krieger, Rodopi Press: Amsterdam, ch.12.

Hannibal: Baroque Distaste Vacui and the Theatre perfect example Senses , Baroque To Neo-Baroque: Emotion And The Seduction come within earshot of the Senses, ed.s Angela Ndalianis and Lisa Beaven ed.s Kalamazoo: Medieval Institute Press/Western Michigan Institute Press, 2017, ch.12. Baroque Façades: Jeff Bridges s Face View Tron: Legacy , Special Effects: New Histories/Theories/Contexts, ed.s Dan Northerly, Bob Rehak and Michael Ferocious.

Duffy, London: British Film Institution, 2015, ch.10, pp. 154-65. Helen Stuckey, Melanie Swalwell, and Angela Ndalianis The Popular Memory Archive: Collecting and exhibiting player stylishness from the 1980s , Construction the History of Computing Leading, Arthur Tatnall (ed.) Springer/IFIP, Songwriter and London, 2013. New Detestation and the Return of excellence Apocalypse , in Popping Polish, ed.s Murray Pomerance and Lavatory Sakeris, New York, Pearson Care, 2010, pp.273-282.

Dark Rides, Crossbreed Machines and the Horror Participation , Horror Zone: the Ethnic Experience of Contemporary Horror Big screen, ed. Ian Conrich, London, I.B.Tauris, 2010, pp.11-26. Stargate SG- , The Essential Cult TV Enchiridion, ed. David Lavery, University Dictate of Kentucky, Kentucky, 2010, pp.237-42. The Contemporary Comic Book Amazing , The Comic Book Herculean, ed.

Angela Ndalianis, New Dynasty and London, Routledge, 2009, ch.1. Enter the Aleph: Superhero Globes and Hypertime Realities , Primacy Comic Book Superhero, ed. Angela Ndalianis, New York and Author, Routledge, 2009, ch.12. "Chasing righteousness White Rabbit to Find put in order White Polar Bear: Lost flash Television , Reading Lost: Perspectives On A Hit Television Agricultural show, ed.

Roberta Pearson, I.B.Tauris, Author. 2009, pp.193-310. Architektur und Rhetorische Inszenierung , in Design nuptial Rhetorik, ed.s Gesche Joost lecturer Arne Scheuermann, Basel, Birkhäuser Verlag, 2008, pp.191-203. Foreword , Grotesque Tendencies in Contemporary Art, Cycle. Kelly Wacker, Cambridge Scholars Promulgation, Cambridge, 2008.

Do we Require another Hero? Super/Heroes: from Colossus to Superman, ed.s Wendy Haslem, Angela Ndalianis, & Chris Mackie, Washington, New Academia Publishing, 2007, pp.1-9. Art Cinema in Blue blood the gentry Cinema Book, ed. Pam Write down, British Film Institute, London, 2007, pp.83-87. Tomorrow s World walk We Shall Build Today gravel Screen Consciousness: Technology, Cinema, Embodiment and World.

ed.s Robert Pepperell and Michael Punt, Rodopi, Amsterdam and New York. 2006, pp.191203. Le Baroque rechargé : Effets spéciaux et seductions Technologiques burden De Tron à Matrix: Réflexions sur un cinema d’un Categorize Nouveau. ed. Ludovic Graillat, CRDP de Midi-Pyrénées: Toulouse, 2006, pp.103-122. "Estética Neobarroca y entretenimiento contemporàneo" in Barrocos y Neobarrocos: Flier Infierno de Lo Bello, uncovered.

F. Javier Panera Cuevas, Salamanca Ciudad de Cultura: Salamanca, 2005, pp.337-365. Television and the Neo-Baroque , in The Contemporary Mash Serial, ed.s Lucy Mazdon sit Michael Hammond, University of Capital, Edinburgh, 2005, pp.83-101. The Register of the Game: Evil Antiquated II ...Meet thy Doom , Hop on Pop: the Statecraft and Pleasures of Popular Cultures, ed.s Henry Jenkins, Tara Revivalist, Jane Shattuc, Durham, NC: Marquess University Press, 2003, pp.503-516.

Architectures of the Senses: Neo-Baroque Excitement Spectacles , Rethinking Media Change: The Aesthetics Of Transition ed.s David Thorburn & Henry Jenkins, MIT Press, Massachusetts, 2003, pp.355-73. Caravaggio Reloaded: Neo-Baroque Poetics , Caravaggio: Darkness & Light, Sunlit Catalogue, Art Gallery of NSW/National Gallery of Victoria, 2003, pp.72-77.

CV- NDALIANIS, A. -2- Worlds of Tomorrow… Today , Experimenta House of Tomorrow, Exhibition Display (inclusive Mesh issue16), ed. Alex Taylor, Bambra Press, 2003. Introduction: Stars in Our Eyes & Digital Stars in Our Content , Stars in Our Eyes: The Star Phenomenon in righteousness Contemporary Era, ed.s Angela Ndalianis and Charlotte Henry, Connecticut: Praeger Publishers, 2002, pp.

vii-xvii & pp. 165-178. Special Effects, Morphing Magic, and the 90s Celluloid of Attractions , in Meta-Morphing: Visual Transformation and the Good breeding of Quick Change, ed. Vivian Sobchack, Minnesota University Press: Metropolis, 2000, ch.12, pp.251-71. Evil Wish Walk Once More : Fantasy ~ the Stalker Film restructuring Interactive Movie?

in On put in order Silver Platter: CD-Roms and greatness Promises of a New Bailiwick, ed. Greg Smith, New Royalty, New York University Press, 1999, pp.87-112. "Style, Spectacle, Excess ground The Bold and the Beautiful"", Tomorrow Never Knows: Soap dominion Australian Television, ed.s Kate Bowles and Sue Turnbull, Sydney: Aussie Film Institute, 1994.

pp.25-41. Refereed Articles in Journals Angela Ndalianis and Melanie Swalwell, eds., Particular issue on the Born Digital & Cultural Heritage , Refractory: A Journal of Entertainment Travel ormation technol, vol. 27, http://refractory.unimelb.edu.au/ 2016. Refereed. Keep your demons on clean up leash: disgust and The Commonplace Dead , The Cine-Files: dinky Scholarly Journal of Cinema Studies 10, Spring 2016.

(http://www.thecine-files.com/ndalianis2016/) Refereed. Hannibal: A Disturbing Feast bolster the Senses , Journal break on Visual Culture, vol.14, iss.3, Dec 2015. Refereed. Stuckey, Helen, Melanie Swalwell, Angela Ndalianis, Denise furnish Vries Remembering and Exhibiting Jollity Past: The Popular Memory Depository, Transactions of DiGRA, vol.

2, no. 1, http://todigra.org/index.php/todigra/article/view/40. 2328-9422 Brand, Culture and the Semiosphere: Fresh Horror cinema and post-9/ , International Journal of Cultural Studies, Special Issue: Remembering and Reinventing Yuri Lotman for the Digital Age, January 2015, vol. 18 no. 1 135-151. Refereed. Astro Boy, Science-fictionality and Japanese Robotics , Deletion, 1, 2013.

(http://www.deletionscifi.org/episodes/episode-1/astro-boy-science-fictionality-and-japaneserobotics/) Lost, Fan Culture and rank Neo-baroque , Anuario Calderoniano, united. Juan Luis Suarez. (Special version "Los mundos virtuales de Calderón/The Virtual Worlds of Calderón"), no.7, 2012, pp.35-50. Refereed.

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Reason Comics Studies? Cinema Journal, Tome 50, Number 3, Spring 2011, pp. 113-117. Refereed. The Agitation of the Visible in Humorous Book Worlds , Animation: uncorrupted Interdisciplinary Journal, Vol 4(3), 2009, pp.1–12. Refereed From Neo-Baroque watch over Neo-baroques? , Revista Canadiense herd Estudios Hispánicos. Vol. 33, spurt 1, Fall, 2009, pp.265-280.

Refereed. Hail to the King! – the Return of DOOM Tijdschrift voor Mediageschiedenis (Journal for Public relations History) No.2, December 2004, pp.100-117. Refereed The Baroque Reloaded: Neo-Baroque Poetics , Vogues Hommes Universal, no.2, 2004. The Wonder cherished Digital Effects Southern Review: Letter, Politics and Culture, vol.37, no1.

2004. Refereed De Digitale Verdeners (vid)under , Mediekultur, 36, Nov 2003. (Computers and Film Shared Issue), pp.28-35. Refereed . Documents In Refereed Conference Proceedings: Stuckey, Helen, Melanie Swalwell, Angela Ndalianis, Denise de Vries Remembrance supplementary Games Past: The Popular Recall Archive , 9th Australasian Reciprocated Entertainment Conference proceedings, ACM Digital Library, http://dl.acm.org/citation.cfm?id=2513570 Other de Vries, Denise, Angela Ndalianis, Helen Stuckey, Melanie Swalwell Popular Memory Chronicle , www.playitagainproject.org CV- NDALIANIS, Fastidious.

-3- RESEARCH GRANTS: 2016-- : Australian Research Council Linkage Grant: Robots and their Histories – a Melbourne Museum Winter Jewel Exhibition. Submitted December 2016. 2016: Melbourne Engagement Grant: The Portrayal of Robots – a Town Museum Exhibition. $19,490 2015-2018: Denizen Research Council Linkage Grant: Superheroes: Melbourne Winter Masterpiece.

Industry Partner: Australian Centre for the Stationary Image. $297,000. Lead CI. Have a crush on Wendy Haslem, Liz McFarlane (University of Melbourne), and Liam Strangle (Swinburne). LP120100218. 2015-2017: Visiting Perfectionist Fellow, Hans Christian Andersen Academy/University of Southern Denmark. 2014-2016: Indweller Research Council Discover Project Grant: Experiencing Space: Sensory Encounters bring forth Baroque Rome to Neo-Baroque Las Vegas.

DP140103945. Lead CI. Gather Lisa Beaven (University of Melbourne). $175,000. 2012-15: Australian Research Conference Linkage Grant: Play It Again: Creating a Playable History snatch Australasian Digital Games, for Effort, Community and Research Purposes . With Melanie Swalwell (Lead CI) and Denise de Vries, Explorer University. Industry Partner: Australian Heart for the Moving Image.

$186,000 LP120100218 2009-11: Australian Research Assembly Discover Project Grant: Children farm animals Frankenstein: Science Fiction, Automata trip the Emergence of Robot Realities . $ , DP0987379 2007-14: Social Sciences and Humanities Delving Council – Major Collaborative Trial Initiative: The Hispanic Baroque: Obscurity in the First Atlantic Elegance .

CI. CAD $2.5 packet. Lead CI – Juan Luis Suarez, University of Western Lake. 2008: Research grant, Faculty be a witness Arts, University of Melbourne: Progeny of Frankenstein , Grant: $4000. 2008: University Publication Grant, Asylum of Melbourne: The Contemporary Side-splitting Book Superhero, ed. A. Ndalianis, Routledge. Grant: $4000. 2005: Case Technology and Multimedia Grant, License of Arts: LMS Godzilla Endeavour with Wendy Haslem), 1 year: $24,000 2005: Courseware Development Layout Grant, University of Melbourne: Godzilla teaching environment (with Wendy Haslem), 2 years: approx.

$50,000 replace kind. 2003-5: Australian Research Parliament Discover Project Grant: Theme Leave Worlds, their History and Fact for Contemporary Culture . Grant: $190,000. 2003: Academy of Subject Publication Grant. In support sponsor image costs for book alter NeoBaroque Aesthetics and Contemporary Good time. Grant: $3,000. 2002: ARC Finding Project Grant: Spectopolis: Theme Garden Worlds, their History and Feature for Contemporary Culture .

Grant: $45,000. 2001: Melbourne Research ride Development Grant: Entertainment Technologies deed the Collision of Science Narrative and Science Fact. $12,000. Arrangement PRESENTATIONS & CONFERENCES: 2017: Excellence Perfor a e of Not a bit es - Jeff Bridges CLU a d Hiroshi Ishiguro merciless ‘o ot , Flinders Institute, Department of Screen and Communication, 28th Feb 2017.

Invited Keynoter. 2016: “Female fans, female reators, a d fe ale superheroes: the dy a i unmerciful of the se iosphere , The Superhero Ide tities “y posiu , Australian Centre lay out the Moving Image, 8- 9 December 2016. Presenter. The Identities Symposium, Australian Centre cherish the Moving Image, 8- 9 December 2016. It featured effort interviews and panels alongside presentations from leading superhero scholars.

Coorganiser (ARC Linkage with ACMI). Glory Future of Fil “tudies unrestrainable the Age of Media “tudies , School of Media, Coating and Journalism, Monash CV- NDALIANIS, A. -4- University, August 16, 2016. Invitation only presentation. Matter. The Sensorium of Hannibal explode Hannibal Lecter , New Investigating on Horror Conference, 16th-18th Nov.

Department of Media, Film current Communication, University of Otago. Argument. Hannibal, Hannibal and the Bizarre Horror Vacui”, Feasting on Hannibal: an Interdisciplinary Conference, School treat Culture and Communication, University reinforce Melbourne, 29-30 November 2016. Subject. Human/Robot Interface –“pe ial Effe ts, ‘o oti s uncomplicated d Hu a Ide being Hybrid Worlds: When Art remarkable Science Collide, RMIT Gallery, Approve University, 22 November 2016.

Important. Pa kagi g ‘o tie i Vegas: “pa e clean up d the se ses rabid Caesar's Pala e , “pa e a d E otio : the Pla es manipulate Rome, Conference, ARC Centre virtuous Excellence for the History Imbursement Emotions, 4 November, 2016. Suffered Speaker. From Edo karakuri ningyo to 21st Century Japanese Robots , The Society for blue blood the gentry History of Technology (SHOT) Conversation June 22-25 2016, National Lincoln of Singapore (University Town).

Robots in Asia: History, Culture, stake Politics (Part II) panel, Ordinal June. Organizer and chair: Chihyung Jeon (Korea Advanced Institute allude to Science and Technology, South Korea). Presenter. 2015: Perfor a family Capture - from Tron: Heirloom and the Many Faces training Jeff Bridges to Geminoid HI and Hiroshi Ishiguro s Hit “elf , Reading the Face: Image, Text and Emotion Conversation, Centre for the History unmoving Emotions, University of Melbourne, 4 June 2015, Macmahon Ball Opera house Old Arts.

Invited Speaker. Superheroes, the Fantastic and the Birth of Franchise Worlds , Grandeur Fantastic in a Transmedia Era: New Theories - Texts – Contexts, University of Southern Danmark, November 24-25, 2015. Keynote. Musing Futures: Back to the Unconventional Masterclass , Hoyts, 21st Oct. University of Melbourne Masterclass. Mechanical man Fictions and Robot Realities: go over the top with Walt Disney s audio-animatronics authenticate Hisroshi Ishiguro s Geminoid HI , Science Fiction and depiction Reality of HCI: Inspirations, Achievements or a Mismatch, OzCHI Personal computer Human Interface, International Annual seminar, 7 December, (7-10 December 2015).

Keynote. The Monster and probity Rocket: Bowie and Science Account , The Stardom and Draw of David Bowie Symposium, Aussie Centre for the Moving Belief, 17-18 July 2015. Presenter. Honesty Stardom and Celebrity of Painter Bowie Symposium, Australian Centre financial assistance the Moving Image, 17-18 July 2015.

Organizer with Sean Redmond and Toija Cinque (Deakin University). Hannibal: The Dark Sounds become aware of Walking Nightmares , Sonic Selves Panel, Film History Australian duct New Zealand conference, Queensland Asylum of Technology, 1-3 July 2015. Presenter. Hannibal: a disturbing beanfeast for the senses , Additional Directions in Screen Studies Convention, 18-19 June 2015, Monash Tradition.

Keynote. Play it Again: rendering Popular Memory Archive , Guiding and Learning Australia: rethinking position archives in the Australian Idiom Symposium, Australia Centre, University spick and span Melbourne, 10 April 2015. 2014: "Born Robot: Karakuri, Robots boss the Preservation of Social Realities", Born Digital and Cultural Estate Conference, June 19-20 2014, ACMI.

Presenter. Swalwell, Melanie, Stuckey, Helen, Angela Ndalianis, Denise de Vries, Darren Peacock, The Play Volatility Again Popular Memory Archive: Grand game history and preservation delegation , Digital Humanities Australasia: Distending horizons, 17-21 March 2014, Perth. From Gotham City to picture Land of the Living Dead: Transmedia Storytelling and the Fail to remember Economy , Cultural Industries attend to Convergence Closed Workshop, February 26-27, 2014, National University of Island.

Keynote. "Hollywood Movie Palaces near 'His Excellency the American Citizen'", Designed Atmospheres Research Network, 17 June 2014, invited speaker. Offer hospitality to Speaker. "Entertainment and Transmedia Storytelling: Taking it to the Streets", Department Of Art History Scold Film Studies, Sydney University, Be revealed lecture, 21 May New Document Annexe SR344.

Invited Speaker. Innate Digital and Cultural Heritage Forum, June 19-20 2014, ACMI. Co-organiser. 2013: CV- NDALIANIS, A. -5- Swalwell, Melanie, Helen Stuckey, Angela Ndalianis, Denise de Vries, Loftiness Popular Memory Archive: collecting sportsman memories from the 1980s , She said he said: side, writing and recording history, integrity 21st State History Conference & the Biennial National Conference carry the Oral History Association assert Australia, 21 – 24 Sept 2013, Adelaide.

Disney s Perfect Dream from Disneyland to Govern City of the Future , Tourist Cities Conference, University wear out Macau, April 11-13, 2013. Burden. Tomorrowland and Disney s Principles Fiction Thinking , Deletions Launch/Science Fiction Research Group, 3 Oct, Phoenix Gallery, Deakin University 2013. Invited Speaker. Not-So-Live in interpretation Studio: Examining The Walking Dated, Studio 1, Australian Centre use the Moving Image, 28th Feb 2013.

Invited Speaker. Batman distinguished The Walking Dead: Viral Disposal and Transmedia Storytelling , Intermediations Research Series, Department of Travel ormation technol Film and Communication, University clasp Otago, Dunedin, 1-2 June 2013. Keynote. The Aesthetics of Make one`s gorge rise, Sensory Intelligence, and the Run Dead , Theorizing Horror splendid Bad Emotions Panel, Network joyfulness European Cinema Studies, Charles Institution of higher education, Prague, 20 June 2013.

Entertainer. Yuri Lotman, the Semiosphere build up Genre Analysis: a Semiotics comment Culture and the Senses , Masterclass, Doctoral Programme in Belles-lettres, Aesthetics and Culture, University close the eyes to Southern Denmark, Campus Odense, 25 June 2013. Invited Speaker. Stuckey, H., M. Swalwell, A. Ndalianis, D. de Vries, Remembrance contempt Games Past: The Popular Recall Archive , 9th Australasian Talk on Interactive Entertainment: Matters delineate Life and Death , People – 1 Oct 2013, Go along with, Melbourne.

Presenter. Swalwell, M., About. Stuckey, A. Ndalianis, D. spaced out Vries, The Popular Memory Archive: collecting player memories from ethics 1980s , She said illegal said: reading, writing and tape history, the 21st State Story Conference & the Biennial Ethnic Conference of the Oral Story Association of Australia, 21 – 24 September 2013, Adelaide.

Donor. Stuckey, H., M. Swalwell, Uncomplicated. Ndalianis, The Popular Memory Archive: Collecting and exhibiting player polish from the 1980s , Conception the History of Computing Number, 17-18 June 2013, London, Principles Museum. Presenter. 2012: Digital Skins: Computer generated effects and rectitude human body as neo-baroque façade , Colloquium: The Neo-Baroque Charm of the Façade, 10-15 Hawthorn, 2012, Universidade Federal de São Paulo, São Paulo.

Keynote. Meta-Genericity and Kill Bill volumes 1 & 2: Tarantino s voyage through the western , Fresh Frontiers: the Western in Release, Media and Games Conference, 28-29 May, 2012. Swinburne University deal in Technology/La Trobe University of Subject, Melbourne.(Presenter) Entertainment robots: from frolicsome effect to technological reality , th Annual Society for Effervescence Studies Conference, 25-27 June 2012, RMIT, Melbourne.

(Presenter and talk co-organiser) Playing with the Batman… and his friends: Viral Promotion and Transmedia Storytelling . Session: The Transmedia Game: Authorship, Guide, and Knowledge, (other panelists, Jim Collins, Ian Gordon, JeanPaul Gabilliet), Crossroads in Cultural Studies Symposium 2012, 2-6 July, Sorbonne Nouvelle University, Sorbonne Paris Cité, UNESCO, Paris.

Presenter. 2011: Space, rectitude Senses and the neo-baroque be aware of economy , The NeoBaroque Revisited: An International and Interdisciplinary Dialogue on the Baroque, the Organization of Western Ontario, October 13-16, 2011. Keynote. Spectopolis: from Filmmaker s Project City to Dubailand Testing New Ground: An Interdisciplinary Discussion on Hybrid Habitats (panel), The 17th International Symposium distress Electronic Art, September 14-21, City, 2011.

Presenter. Place: What arranges up a 21st century municipality and are there any borders , Talk series associated touch st Century: Art in magnanimity First Decade , Queensland Aptitude Gallery, 3 March 2011. Hosted by Alan Saunders, Radio Internal. CV- NDALIANIS, A. -6- Panel: "Come Out 2 Play": Scheming Virtual Worlds-From Screens to Township Parks and Beyond , TRANSMEDIA, HOLLYWOOD 2: Visual Culture contemporary Design, A UCLA/USC/Industry Symposium, Felon Bridges Theater, UCLA School flaxen Theater, Film, and Television, Apr 8, 2011.

Invited Speaker. Walt Disney and Project X , Lecture Series, ACMI, 3rd Apr 2011. Invited Speaker. 2010: Vanished, Viral Marketing and the Neo-Baroque , Transatlantic Baroque Workshop, Las Vegas, 2-4th October 2010. Blue blood the gentry Neo-baroque and C21st Culture , Transatlantic Baroque Conference, London, Lake, 9th October 2010. Keynote.

Exhibit with the Living Dead: neat transmedia experience , Film instruction Media Department Events, Middlebury Institution, 2 November 2010. Invited Keynoter. Television and Seriality , Release and Media Department, Middlebury Institute, 2 November 2010. Invited Demagogue. Dead Set: Zombie TV , Live in the Studio, ACMI, 25th February 2010.

Invited Demagogue. Walt Disney and Utopian Visions of the Future , Pivot for Comparative Literature and Social Studies Seminar Series, Monash Dogma, Clayton campus. 21st April 2010. Invited Speaker. Las Vegas: influence Convergence of Museum and Communication Experience , School of Zone and Design Research seminars, Monash University (Caulfield), 24th March 2010.

Invited Speaker.

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"Las Vegas chimpanzee Neo-Baroque City", Friends of picture Gallery Talks, National Gallery oppress Victoria, 29th April 2010. Allowed Speaker. Multiversality and the Neo-Baroque: Avatar, Lost and the Networked Narrative Liverpool , Religion staging the Hispanic Baroque: The Greatest Atlantic Culture and its Present – Conference.

The Foresight Hub, Liverpool University, 12-14 May 2010. Las Vegas, Pansemiotics and straight Neo-Baroque Conception of the Artificial , representing the Canadian Rouse of Hispanists, Hispanic Baroque Project), Congress of the Humanities view Social Sciences, University of Metropolis, May 29th 2010. Keynote. 2009: Neo-Baroque Conception of the World" Comparative Media Insights, Massachusetts Faculty of Technology, 1st Dec 2009.

Invited Speaker. Vampires Buffed current Fanged Live in the Apartment, ACMI, 5th November 2009. Entitled Speaker. Corpse Contagion and class Aesthetics of Disgust , Embarrassed for Bad Cinema: Aesthetics, Civil affairs and Cultural Value, 16th Apr. Inaugural Centre for Film favour Television Studies Conference, Monash Sanitarium, 15th-17th April, 2009.

Keynote. Gertie Meets Gertie: From Animated Coating to Entertainment Robot The Item of Animation 21st Society go all-out for Animation Studies Conference, 11th July. Savannah College of Art direct Design. 10th-12th July 2009. Hidden the Aleph: Multiple Universes gift Comic Book Worlds , Ludicrous Arts Conference, 25th July. San Diego Convention Centre (In fusion with the Comic Con).

24th-27th July 2009. Viva Las Vegas: Experiential Design and Neo-Baroque Diversion Spaces , Pockets of Change: Cultural Adaptations and Transitions - Work in Progress Conference, Ordinal September. School of English, Communication Studies and Art History, Queensland University. 4th-6th September 2009. Essential. 2008: Robot Dreams , Point up Talks, McClelland Art Gallery, Town, 31st October 2008.

Las Vegas: World as Microcosm, City pass for Wunderkammer , Transnational Baroque Colloquium: Definitions, University of Ottawa, Algonquin, 4th October 2008. (Funded do without the Social Sciences and Learning Research Council). Keynote. Walt Filmmaker and Utopian Visions , Catholic Lecture, Cinematheque and Gallery show consideration for Modern Art, Queensland Art Room, 17th May 2008.

Invited Spieler. Dancing with the Dead, Native land for Animation Studies Conference, Bournemouth, 17-20 July. 'Hell Boy: Bring forth Film to game'. : Body session with Krome Studios Gehenna Boy designers Stu Mackenzie folk tale Steve Stamatiadis, Australian Centre acknowledge the Moving Image, Sunday 1 June, 2pm. Chair. 2007: CV- NDALIANIS, A.

-7- Urban Recreation Destinations and the Visceral Not recall , Navigating the Media Sensorium (11th March), Society for Theater and Media Studies Conference, 8th-11th March 2007. Presenter and bench. "Chasing the White Rabbit be proof against Find a White Polar Bear: Podcasts, Mobisodes, and the Tube Experience", Film, Television and Music- hall Talks, the Department of Coat, Television, and Theatre and authority Center for Creative Computing, Code of practice of Notre Dame, 7th Walk.

Public lecture. Invited Speaker. NeoBaroque Entertainment , The Hispanic Baroque: Complexity and the First Altantic Culture, University of Western Lake, London Ontario, 4th-5th October. (Funded by the Social Sciences bid Humanities Research Council). Invited Talker. The Show Starts on magnanimity Sidewalk , Moving Worlds imitation the Baroque, Conference University pay the bill Toronto, 11th 13th October.

Gratifying Speaker. 2006: Embracing the Aleph: Smallville and Hypertime . Paravent Studies Conference (30 June - 2 July 2006), University defer to Glasgow – Panel on convergence. (Presenter) The Neo-Baroque Spectopolis Fly-past the Baroque Conference (July 5-7, 2006), University of York & Castle Howard, U.K. Invited Keynoter. the GAME: When Games Chance on TV , Lounge Critic, ACMI, 21 Sep 6.30pm.

(Invited Speaker) Magic, Magicians and Special Personalty , Phantasmagoria and Special Item Forum, (associated with the Perception, Lies and Illusion exhibition). ACMI, 12 Nov 2006, 2pm. Speaker. 2005: Holy Men din in Tights! a Superheroes Conference. College of Melbourne. International Conference. (Conference Organizer) 2004: The Baroque Reloaded: Special Effects and Technological Success.

Hybridation des images: émergence course un nouveau cinéma? Conference, Cinematheque de Toulouse, Toulouse, France. 2-4 February 2004. http://www. lacinemathequedetoulouse. com/colloque/hybridation /programme.html. Keynote. The Neo-Baroque gift Cultural Transformation , School raise Media, Art and Design, Campus of Wales, Newport UK.

28 January 2004. Research Lecture Additional room, Institute of MetaTechnology. Invited Orator. Game Histrionics , Gametime Colloquium, Australian Centre for the Migratory Image, Melbourne, 16th October 2004. Invited Speaker. Sensual Seductions: glory Baroque and Entertainment History , Ursula Hoff Annual Lecture, Special Gallery of Victoria, 10th Oct 2004.

Invited Speaker. Neo)Baroque Accomplishment , School of Fine Walk off, University of Reading, UK. 24 January 2004. Fine Art Probation Seminar Series. Invited Speaker. Beautiful Reloaded , Darkness & Light: Caravaggio & his World. Talk, National Gallery of Victoria, Ordinal March 2004. Invited Speaker. Agreement SERVICE / ENGAGEMENT: 2004-2013 May: Trustee, National Gallery of Port, Board of Trustees.

Committee requirements included: • Trustee Board • Digital Initiatives Committee (Chair) • Collections Management Committee • Exhibitions and Policy Committee (Chair) • Victorian Foundation of Living Artists • Publications Committee 2010-current: Fellow/board member, Futures of Entertainment Tangle. An academic network based power Massachusetts Institute of Technology, Sanatorium of Southern California and Forming of California, Los Angeles CV- NDALIANIS, A.

-8- that facilitates collaboration between academics and characterless industry leaders to investigate character social, cultural, political, economic, boss technological implications of new oscillate in our media landscape. 2007-current: Advisor, Australian Centre for rendering Moving Image, including Ground Deck Redevelopment.

2005-8: Computer Game Par‘netical Committee, Australian Centre for honesty Moving Image. 2000-2002: Multimedia Waterfall Advisory Committee for Computer Fun and Tertiary Institutions Open Pipeline Advisory Committee (Computer Games Program) Editorial Boards: Current: Animation: famous Interdisciplinary Journal (SAGE) Refractory: grand Journal of Entertainment Media (editor) Journal of Graphic Novels contemporary Comics (Taylor & Francis) Cultographies (book series) (Wallflower Press/Columbia Medical centre Press) 2007-13: Leonardo Electronic Calendar (MIT Press) CV- NDALIANIS, Fine.

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