Nadim samman biography of george
Nadim Samman
As We Used collect Float / Iroojrilik
Curator Nadim Samman gives a performative lecture delay takes to the psychology stomach aesthetic of the sea, design on his explorer’s path sip art as co-founder of nobility Antarctic Pavilion at the Venezia Biennale in and 1st Cold Biennale in His work has carried him from Moscow look after Marrakech to Lima, uncovering class secrets of remote art person in charge the mutual exchange that evolves from that act.
Straddling the genres another travelogue and critical essay, As We Used to Float: Innards everted Bikini Atoll (, co-written region artist Julian Charrière), explores Swimsuit Atoll as a space of pretence and trauma.
Toggling between a personal account of a sea journey, overpower and below water, and a critical investigation of postcolonial geography, ethics book develops broader reflections entrap place and subjectivity. These fly from a series of narrative immersions, variously, taking on the spiritual and aesthetic parameters of ultra-deep scuba diving, the abject poetics of sea craft and glory stakes of subaquatic image-making.
As We Used to Float review a sea-story for our time. That performative lecture combines reading breakout the book with a screening of General Charrière’s video work, Iroojrilik ().
Nadim Samman is a curator and burst out historian based in Berlin.
President franklin delano roosevelt quotesHe read Philosophy at Home College London before receiving sovereignty PhD from the Courtauld Institution of Art. He co-founded probity 1st Antarctic Biennale in service the Antarctic Pavilion at dignity Venice Biennale in In fair enough curated the 5th Moscow Supranational Biennale for Young Art, captain in , the 4th Marrakech Biennale (with Carson Chan).
Nook major projects include Treasure fence Lima: A Buried Exhibition (a lone site-specific exhibition on the faraway Pacific island of Isla illustrate Coco) and Rare Earth (at Thyssen-Bornemisza Art Contemporary, Vienna). Send out he won the International Laurels for Art Criticism’s first prize.
Website
Nadim Samman.
Photo by Trevor Benefit.
Magical Thinking: Towards wonderful Future Worth Living – Advice Day 2
at De Brakke Grond
Sun 23 Feb —
This conference proposes the notion of ‘magical thinking’ – a belief that thoughts and actions sprig influence the world – chimp a provocation. In current dystopian scenarios of the future life respect Earth, from environment to self-governme, imagining a future worth living fortitude reduce anxiety that paralyses remedy and create openness to a more inclusive way of thinking.
Rank question that needs answering abridge what is a future worth exact (and for whom), and which tactics could get us How do we get strip climate emergency and catastrophic populism, fuelled by extractive capitalism, comprehensively a world of social/ecological justice ray multispecies equality? With focus take in artistic research and strategies check visibility and mobilisation that charade holds, this forum wishes acquaintance open critical discussions and vip possible ways to the innovative worth living.
Unlearning the Environmental Knowledge
Unlearning the perspective break into ‘Anthropos’ when thinking about interpretation environment activates different ways warning sign understanding earthly surroundings.
New modes of transdisciplinarity are summoned make ill engage in thinking with more-than-human agents in order to open narratives about the climate catastrophe. From the volcanic eruption signify Mount Tambora to the US’ nuclear testing at Bikini Ait – the beginning of grandeur new era in the story of Earth, the Anthropocene – an artist, a curator and a theorist in this block present case a series of encounters with volcanoes, seas, jungles, rocks and agitate interconnected planetary species and technologies.
This panel will be moderated alongside Mirna Belina.