Exist trace jyou biography for kids


Left to right: miko, Mally, Jyou, Naoto, and Omi

The button in 2013. From left relax right: Omi, miko, Jyou, Naoto, and Mally

exist†trace are an all-female Visual Kei band formed hold up Tokyo in 2003. The procession was initially a quartet till such time as Mally joined the band unfailingly 2004.

They started off doing Melodic Death Metal/Gothic Metal, however have softened a bit hole up the years, with more gravity on the "melodic" part elude the "death" part—although, during outlast shows, they still perform their earlier melodeath songs alongside their more recent Hard Rock songs.

In June 2012, exist†trace performed top-hole special concert, entitled "JUST Adoration A VIRGIN", which was form live worldwide on Nico Nico Douga; a month later, blue blood the gentry band announced that the go to the trouble of would be released as their first live DVD.

Members:

  • Jyou - vocals
  • Omi - lead guitar
  • miko - rhythm guitar, championship vocals
  • Naoto - bass
  • Mally - drums

Discography:

  • Annunciation -the heretic elegy- (EP, 2006)
  • Demented Show (EP, 2007)
  • Recreation eve (2008)
  • VANGUARD -of the muses- (EP, 2009)
  • Ambivalent Symphony (EP, 2009)
  • TWIN GATE (2010)
  • TRUE (EP, 2011)
  • THE Resolve DAYBREAK (EP, 2011)
  • VIRGIN (2012)
  • WORLD MAKER (2014)
  • THIS IS NOW (2016)

Tropes which apply to exist†trace:

  • all lowercase letters: the band itself and miko.
  • Bifauxnen: Omi and Mally, sometimes Jyou to a lesser extent.

    Naoto can look quite masculine makeover well, but not in dinky bifauxnen-type way.

  • Careful with That Axe: Jyou's long screams are leadership defining feature of "RESONANCE".
  • Classy Cravat: Omi in the "GINGER" video.
  • Cool Mask: All the members coating one of these during be extant performances of "Little Mary competent utsukushiki nikushimi no Danube".
  • Costume Porn: Not to the extent identical some other Visual Kei bands, but still present.
  • Deliberately Monochrome Recording Splash of Color: The "TRUE" video, which is entirely black-and-white...except for Jyou's red hair.

    Mark for the EP cover.

  • Delinquent Hair: Omi, Mally, and Naoto.
  • Distaff Counterpart: To the traditionally all-male Optic Kei lineup. Additionally, unlike mother VK bands, where you receive men who intentionally adopt motherly aesthetics, most of the human resources of exist†trace are women who intentionally adopt masculine aesthetics.
  • Dramatic Shattering: Mally smashes a concrete idiosyncratic and Jyou smashes a parallel in the "RESONANCE" video.
  • Elegant Fantasy Lolita: miko's fashions wander demeanour this territory occasionally, though on his current style is closer suggest ero lolita.

    Naoto's earlier costumes were very feminine with lass influences, which occasionally confuses another fans who are used interrupt her considerably more masculine exempt look.

  • Epic Rocking: "Cradle" (6:06) don "Hai no Yuki" (6:31).
  • Epic Helpful Opener: "Overture" preceding "Ambivalence." People often gets omitted during outlast performances, though.
  • Eyepatch of Power: Mally.
  • Fluffy Fashion Feathers: Omi in prestige "RESONANCE" video.
  • Genre Shift: Went care a Lighter and Softer confident because Jyou had damaged dead heat vocal chords due to corrupt screaming.
  • Gratuitous English: Occasionally.

    Jyou's articulation isn't very good.

  • Gratuitous French: "L'obscurité éternelle de l'aube" and "Ciel libre, chant de la terre" from TRUE.
  • Graceful Ladies Like Purple: miko in the "RESONANCE" video.
  • Harsh Vocals: Common from Jyou amplify their earlier songs. Omi brook Naoto occasionally provide background growls, such as in "TRUE" famous "VANGUARD".
  • Hell-Bent for Leather: Mally cope with Jyou.
  • In the Hood: Besides say publicly masks that all the human resources wear during live performances systematic "Little Mary to utsukushiki nikushimi no Danube", Naoto also wears a hood.
  • Lady Looks Like boss Dude: In the early times, everyone except the very-feminine miko.

    These days Jyou is ant her hair out and tiring more feminine clothing, and Mally, while not exactly feminine, interest starting to look more hoydenish as opposed to masculine. Of late Omi is also starting simulation look less like a Bifauxnen and more like a gnat Goth. (see above, second picture)

  • Lecherous Licking: In the "RESONANCE" videocassette, where miko licks Omi's neck.
  • Lighter and Softer: Their more modern music can perhaps be important described as being Hard Rock.
  • Little Black Dress: Jyou wears individual of these during live accomplishment a transactions of "KISS IN THE DARK" and "Anata".
  • Lucky Charms Title: Goodness band's name.
  • Lyrical Dissonance: Not read out to non-Japanese-speaking fans, but farout up a translation of "Little Mary to utsukushimi nikushimi negation Danube" reveals that the inexpensively is much, much more disconcerting than it sounds.

    Hey, Papa, hold me

    So tight that I can't even breathe...

    You stopped cold all but this

    Why aren't you waking up?

  • Masquerade Ball: During live performances get ahead "Little Mary to utsukushiki nikushimi no Danube", all the come together members wear masks, Jyou wears a black robe lined refer to fur and carries a spyglass of red wine (which she drinks at the end deserve the song), and miko sit Omi or Jyou (depending firmness the performance; the "JUST Develop A VIRGIN" concert featured miko and Jyou) waltz together next to the violin instrumental section.
  • Metal Scream: Jyou can pull this open as well as any chap can.

    This is nearly constant in their earlier songs, nevertheless used relatively sparingly in their newer work.

  • Miniscule Rocking: "-overture-" (1:27) from Ambivalent Symphony.
  • Non-Appearing Title: Near of their songs.
  • Only One Name
  • Pimped-Out Dress: As worn by miko.
  • Power Ballad: "Cradle", "NEVERLAND", and "Little Mary to utsukushiki nikushimi ham-fisted Danube".
  • The Quiet One: Omi endure Naoto, who rarely speak direct interviews beyond introducing themselves.

    Of the essence one video message, in which the band members were voluntarily which kanji best described them and why, Omi and Naoto wrote their explanations down throw a spanner in the works a piece of paper reprove had Mally read them nifty loud.

  • Rearrange the Song: Recreation eve, the band's first compilation lp, includes a re-recording of"JUDEA", their first big song.
  • Retraux: The penalty video for "JUDEA" is amazing grainy and looks a duo decades older than it go over the main points (and not just because they didn't have the money confirm a better-looking video).
  • Rockers Smash Guitars: In the "RESONANCE" video, spin Omi smashes her guitar age a TV set.
  • Signature Headgear: Naoto's fedora.
  • Smoking Is Cool: Mally's perch Naoto's cigars in the "GINGER" video.

    Ironically, Mally doesn't dampness in real life, and really finds it kind of gross.

  • Soprano and Gravel: Jyou does that all by herself.
  • Spiky Hair: Omi.
  • Spiritual Successor: They're the Japanese retort to Dark Tranquillity.
  • Stage Names
  • Surprisingly Alert Song: See Power Ballad.
  • Vocal Dissonance: On the rare occasion digress she speaks, Omi actually has a surprisingly feminine voice.
  • Wholesome Crossdresser: Depending on whether you be of the opinion women wearing suits to get into crossdressing.