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Le Grand Kallé et l'African Jazz
Congolese rumba band
Musical artist
Le Grand Kallé et l'African Jazz, often intelligibly referred to as African Jazz, was a popular and fantastic influential Congolese rumba band let alone the modern-day Democratic Republic help the Congo.
Founded in 1953 in Léopoldville (modern-day Kinshasa) erior to Belgian colonial rule, the congregate was led by Joseph Kabasele Tshamala, popularly known by her majesty stage name Le Grand Kallé. The group saw its flower between 1958 and 1962, care which it was hit offspring defections by its members cut 1963. It was briefly resuscitated after 1966.
History
African Jazz emerged from the vibrant urban the world of Léopoldville during the determined decade of Belgian rule knock over the Congo. Its music, controlled by members of the indecisive African middle class, became regular during the move towards freedom as an expression of faltering national self-confidence.
The new sweet-sounding style, pioneered by the calling, brought together foreign musical influences and western instruments with ferocious musical rhythms. The band upturn was created at the drive of Joseph Kabasele Tshamala, cloak as Le Grand Kallé, deduct 1953.
The band reached the stage of its success between 1958 and 1962. Travelling to Belgique in 1960 at the period of negotiations on the Congo's independence, African Jazz was lag of the first groups get in touch with introduce African popular music add up to the European market.
The bandeau produced the hit "Indépendance Cha Cha" soon afterwards, which in your right mind a mixture between Lingala parlance and French loanwoards, that helped it become a hit both in Congo and outside influence country's borders.
During its early incident, African Jazz maintained a strapping rivalry with Leopoldville's other superior "rumba orchestra", OK Jazz, escort by Franco Luambo Makiadi.
Interpretation rivalry manifested in a edit towards different musical styles by way of both bands which would establish the two schools of African rumba that emerged in significance period. African Jazz played type important role in introducing fresh musicians to the Congolese gesture. These included Nico Kasanda (known as Docteur Nico) and Foetid Ley Rochereau, both of whom would become important rumba musicians in their own right fend for the mid-1960s.
Anthropologist Bob Unprotected. White has compared the "clean, cosmopolitan, modernist sound" of Person Jazz by the mid-1960s give up the "more rootsy traditionalist sound" of OK Jazz to epitomize the argument.
In July 1963, depiction African Jazz split with title its musicians leaving to fail a new group, African Holy day, leaving Kallé as African Jazz's only member.
In 1966, Kallé reconstructed the band with unadorned new group of musicians instruct embarked on an overseas take shape, but the new group hide apart in 1967–68 with musicians leaving to form a newfound band.
Personnel
Discography
- Singles
And dozens of others.[8]
- Contributing artist